Pavla NečáskováOverviewTypefacesInstagramArena(CZ) Grafická designérka a typografka. Ve své praxi na volné noze se zaměřuji na detailní práci s typografií propojenou s experimentem v grafickém designu. Jsem absolventkou magisterského programu Ateliéru tvorby písma a typografie na UMPRUM v Praze. Zkušenosti jsem získala také na KASK & Conservatorium v Gentu v Belgii a UdK Berlin v Německu.(EN) I’m a graphic and type designer. My freelance practice focuses on detailed typographic work intertwined with experimentation in graphic design. I’m an alumna of the Master’s programme at the Type Design and Typography Studio, UMPRUM Prague, with experiences from KASK & Conservatorium in Ghent, Belgium and UdK Berlin, Germany.
Selected clients and collaborators
AllCaps Type, AMU Gallery, superlative.works, Jasna Studio, MIKE ROFT, Supernova Bakehouse, teige, Tereza Hrabini, Prague Institute of Planning and Development, Arthouse Hejtmánek, Hana Vopravilová, Žofia Fodorová, Julie Dítětová, Šimon Vlasák, Barbora ŽentelováPrague, Czech Republic
necaskovapavla@gmail.com
Open for workSpecimen of typeface Linea Book, Italic, Cursive as my Diploma project at studio of Type Design and Typography at UMPRUM Prague, A6, offset turqoise + digital offset, photo Barbora Žentelová, 2026Exhibition design for typeface Linea Book, Italic, Cursive as my Diploma project at studio of Type Design and Typography at UMPRUM Prague, offset turqoise + digital offset, photo Barbora Žentelová, 2026Specimens of typeface Linea Book, Italic, Cursive as my Diploma project at studio of Type Design and Typography at UMPRUM Prague, A4, offset turqoise + digital offset, photo Barbora Žentelová, 2026Specimen of typeface Linea Book, Italic, Cursive as my Diploma project at studio of Type Design and Typography at UMPRUM Prague, A3, offset turqoise + digital offset, photo Barbora Žentelová, 2026Exhibition design for typeface Linea Book, Italic, Cursive as my Diploma project at studio of Type Design and Typography at UMPRUM Prague, A4, digital offset, photo Barbora Žentelová, 2026Poster for exhibition Klauzury FAMU, Gallery AMU Prague, A3, digital print, photo Eliška Klimešová, 2026Booklet for exhibition Klauzury FAMU, Gallery AMU Prague, A3, digital print, photo Eliška Klimešová, 2026Poster for exhibition Doktorandi AMU: Alžběta Trojanová, Marcel Stecker, Gallery AMU Prague, A1, 2026Booklet for exhibition Doktorandi AMU: Alžběta Trojanová, Marcel Stecker, Gallery AMU Prague, A3, digital print, photo Irina Degtereva, 2026Poster for exhibition Jan Kolský: Pohyblivé části/Moving parts w/ Space for Relational Research, Gallery AMU Prague, A1, 2026Visuals for exhibition Jan Kolský: Pohyblivé části/Moving parts w/ Space for Relational Research, Gallery AMU Prague, vinyl, photo Eliška Klimešová, 2026Booklet for exhibition Jan Kolský: Pohyblivé části/Moving parts w/ Space for Relational Research, Gallery AMU Prague, A3, digital print, photo Eliška Klimešová, 2026Booklet for exhibition Jan Kolský: Pohyblivé části/Moving parts w/ Space for Relational Research, Gallery AMU Prague, A3, digital print, photo Eliška Klimešová, 2026Graphic design of title sequence for the artist Tereza Hrabini and her music video Králova impéria, typeface Polia in use for the credits, 2026Graphic design of title sequence for the artist Tereza Hrabini and her music video Králova impéria, typeface Polia in use for the credits, 2026
Typeface Polia & Input 1.0 in use for Libretto of the International belles lettres of Art faber. The book was presented at Sorbonne University in Paris by the collective, design by Salomé Macquet, 2025Typeface Polia & Input 1.0 in use for Libretto of the International belles lettres of Art faber, presented dedicated to Annie Ernaux, winner of the Nobel Prize in Literature, in recognition of her work, design by Salomé Macquet, offset print, 2025Poster for exhibition Neviditelné město/Invisible City at Gallery AMU Prague, collaboration Žofia Fodorová, 2025 (unused)Lettering for exhibition Mirror for Proteus at Gallery AMU Prague, 2025 (unused)Cover of booklet for exhibition Mirror for Proteus at Gallery AMU Prague, 2025 (unused)To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, A3 posters, 2025To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, socials promo, 2025To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, socials promo, 2025To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, A4 exhibition guide, 2025To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, A6 invitation, 2025MY TASTES HAVE ORIGINATED (ROUGHLY) SEVEN HUNDRED YEARS AGO reader as a part of my final semestral project at KASK Graphic design, all my typefaces in use, 2025Cover of MY TASTES HAVE ORIGINATED (ROUGHLY) SEVEN HUNDRED YEARS AGO reader as a part of my final semestral project at KASK Graphic design, all my typefaces in use, 2025MY TASTES HAVE ORIGINATED (ROUGHLY) SEVEN HUNDRED YEARS AGO reader as a part of my final semestral project at KASK Graphic design, all my typefaces in use, 2025Cover of annotated collective reader To read it again, think about it, to read it aloud designed with the class of KASK Graphic design (Gent, Belgium), my section and spreds span within 16 pages and are designed, annotated texts by Hito Steyerl & Fernard Baudin, 2025Annotated collective reader To read it again, think about it, to read it aloud designed with the class of KASK Graphic design (Gent, Belgium), my section and spreds span within 16 pages and are designed, annotated texts by Hito Steyerl & Fernard Baudin, 2025Visual identity for a Czech conceptual glass designer Hana Vopravilová, Designblok 2025 campaign, photo Šimon RoubalVisual identity for a Czech conceptual glass designer Hana Vopravilová, Designblok 2025 campaignVisual identity for a Czech conceptual glass designer Hana Vopravilová, Designblok 2025 campaign, business cards, digital offsetVisual identity for a Czech conceptual glass designer Hana Vopravilová, Designblok 2025 campaign, A3Photo zine within the visual identity for a Czech conceptual glass designer Hana Vopravilová, Designblok 2025 campa, A3, digital offset, photos Šimon RoubalCover illustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan Brož, offset printed, 2025Illustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan Brož, offset printed, 2025Illustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan Brož, offset printed, 2025Illustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan Brož, offset printed, 2025Illustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan Brož, offset printed, 2025Lettering and graphic design for small music festival ZMAR, organised by Martin Dedek, illustrations Lucie Lučanská, 2025Artwork for Ankali & Planeta Za club in Prague, 2024Artwork for Ankali & Planeta Za club in Prague, 2024Pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Exhibition of the pseudo-scientific catalogue and typefaces from Transformation of Type Design, Bachelor project, 2024Typeface detail from pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Typefaces overview from pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Photo zine Led (Ice). Collaboration with Barbora Žentelová for her diploma project, typeface in use: Týpa, Hólmfríður Benediktsdóttir, A3, digital offset, 2024Photo zine Led (Ice). Collaboration with Barbora Žentelová for her diploma project, typeface in use: Týpa, Hólmfríður Benediktsdóttir, A3, digital offset, 2024Photo zine Led (Ice). Collaboration with Barbora Žentelová for her diploma project, typeface in use: Týpa, Hólmfríður Benediktsdóttir, A3, digital offset, 2024Photo zine Led (Ice). Collaboration with Barbora Žentelová for her diploma project, typeface in use: Týpa, Hólmfríður Benediktsdóttir, A3, digital offset, 2024Photo zine Led (Ice). Collaboration with Barbora Žentelová for her diploma project, typeface in use: Týpa, Hólmfríður Benediktsdóttir, A3, digital offset, 2024Graphic design for exhibition Mystika vědění at Gallery AMU, collaboration Žofia Fodorová, A1, 2024Graphic design for exhibition Mystika vědění at Gallery AMU, collaboration Žofia Fodorová, A1, 2024Lettering for exhibition Post Hearing, Post Listening at Gallery AMU in Prague, 2024Lettering for exhibition Post Hearing, Post Listening at Gallery AMU in Prague, 2024Lettering for exhibition Post Hearing, Post Listening at Gallery AMU in Prague, 2024Lettering elements for notography editions of a library of sheet music for the NAMU publishing house, silver digital print, 2024Notography editions design of a library of sheet music for the NAMU publishing house, A4, silver digital print, 2024Notography editions design of a library of sheet music for the NAMU publishing house, A4, silver digital print, 2024Notography editions design of a library of sheet music for the NAMU publishing house, A4, silver digital print, 2024Notography editions design of a library of sheet music for the NAMU publishing house, A4, silver digital print, 2024Campaign for MIKE ROFT Fest, 1st edition of music festival in Brno, collaboration Šimon Vlasák, 2024Campaign for MIKE ROFT Fest, 1st edition of music festival in Brno, collaboration Šimon Vlasák, 2024Visuals for Laurenz Brunner lecture at UMPRUM Prague, typeface Walbert in use, B1 silkscreen print, 2024Visuals for Laurenz Brunner lecture at UMPRUM Prague, typeface Walbert in use, 2024Visuals for Laurenz Brunner lecture at UMPRUM Prague, typeface Walbert in use, 2024Campaign for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, 2023Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023.Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023Poster for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, 2023Booklet for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, A4 RISO printed, 2023Booklet for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, A4 RISO printed, 2023Booklet for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, A4 RISO printed, 2023Booklet for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, A4 RISO printed, 2023Lettering sketch for exhibition Sběračství at Gallery AMU Prague, 2023Ex Libris illustation stamp for Type Design and Typography studio, UMPRUM Prague, two ferns fighting for the book Krásné Písmo
Ex Libris illustation stamp for Type Design and Typography studio, UMPRUM Prague, two ferns fighting for the book Krásné PísmoBrand design and logo for my jewellry brand, typeface Input 2.0 in use, 2020–2024Brand design and logo for my jewellry brand, typeface Input 2.0 in use, 2020–2023Brand design and logo for my jewellry brand, typeface Input 2.0 in use, 2020–2024Brand design and logo for my jewellry brand, typeface Input 2.0 in use, 2020–2024Lettering OakTree, typeface made within a seminar with studio Burrow at UdK Berlin, RISO, 2023Collaborative poster/cover for a type specimen with all the students works from experimental type seminar at Udk Berlin. A2 RISO print @drucken3000 Berlin, 2023Collaborative poster/cover for a type specimen with all the students works from experimental type seminar at Udk Berlin. A2 RISO print @drucken3000 Berlin, 2023Collaborative poster/cover for a type specimen with all the students works from experimental type seminar at Udk Berlin. A2 RISO print @drucken3000 Berlin, 2023Collaborative poster/cover for a type specimen with all the students works from experimental type seminar at Udk Berlin. A2 RISO print @drucken3000 Berlin, 2023Front side of poster in three languages, accompanying Leevi Toija exhibition and artistic project (Constructing spaces of memory), in use my typeface Input 1.0, collaboration w/ Julie Dítětová, A2 offset print, 2023Back side of poster in three languages, accompanying Leevi Toija exhibition and artistic project (Constructing spaces of memory), in use my typeface Input 1.0, collaboration w/ Julie Dítětová, A2 offset print, 2023Back side of poster in three languages, accompanying Leevi Toija exhibition and artistic project (Constructing spaces of memory), in use my typeface Input 1.0, collaboration w/ Julie Dítětová, A2 offset print, 2023Front side of poster in three languages, accompanying Leevi Toija exhibition and artistic project (Constructing spaces of memory), in use my typeface Input 1.0, collaboration w/ Julie Dítětová, A2 offset print, 2023Back side of poster in three languages, accompanying Leevi Toija exhibition and artistic project (Constructing spaces of memory), in use my typeface Input 1.0, collaboration w/ Julie Dítětová, A2 offset print, 2023Lettering for Drunken Forest (Opilý les) at Gallery AMU Prague, collaboration Šimon Vlasák, 2023Poster for exhibition Drunken Forest (Opilý les) at Gallery AMU Prague, collaboration Šimon Vlasák, 2023 (unused) Poster for exhibtion Warm Inflation at Gallery AMU Prague, collaboration Šimon Vlasák, Žofia Fodorová, 2023JASNA x Pavla Nečásková, lamps and beads collaboration with event and exhibition in Poco Bar, Vinohrady Prague, 2022JASNA x Pavla Nečásková, lamps and beads collaboration with event and exhibition in Poco Bar, Vinohrady Prague, 2022JASNA x Pavla Nečásková, leaflets for event and exhibition in Poco Bar, Vinohrady Prague. RISO print, 2022JASNA x Pavla Nečásková, leaflets for event and exhibition in Poco Bar, Vinohrady Prague. RISO print, 2022Typeface 2.0 in use, PAR36 zine exhibited in PageFive, Prague, design Michal Veltruský, 2024Typeface 2.0 in use, PAR36 zine exhibited in PageFive, Prague, design Michal Veltruský, 2024Typeface Input 1.0 in use for book Drak a ryba (Dragon and fish), published by the National Gallery of Prague, author Marie Lukáčová, design Filip Kraus, Photo credits GHMP, 2023Typeface Input 1.0 in use for book Drak a ryba (Dragon and fish), published by the National Gallery of Prague, author Marie Lukáčová, design Filip Kraus, Photo credits GHMP, 2023
Input 1.0, Input 2.0 Type Specimen, A4, RISO print, 2023
Input 1.0, Input 2.0 Type Specimen, A4, RISO print, 2023
Input 1.0, Input 2.0 Type Specimen, A4, RISO print, 2023
Typeface Qarel in use, Baedekr catalogue for the Tabook book and publishing festival in Tábor, design Jan Čumlivski & Juraj Horváth, 2024Typeface Qarel in use, Baedekr catalogue for the Tabook book and publishing festival in Tábor, design Jan Čumlivski & Juraj Horváth, 2024Typeface Qarel in use, test sheets for offset printing, 2023Typeface Qarel in use, test sheets for offset printing, 2023Limit exhibition campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022Limit exhibition campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022Limit exhibition campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022Cover of Limit type specimen within the campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022Limit exhibition campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022Změny vnímání (Chenges of perception), experimental author’s book on synesthesia, color, seeing, feeling, silkscreen + digital offset print, 2022 Masterclass lecture events, online banner visuals, organized by TIM FF MUNI, initiated by Wlasta Laura, 2022Masterclass lecture events, online banner visuals, organized by TIM FF MUNI, initiated by Wlasta Laura, 2022Illustration for podcast Vysílač, 2022Illustration for podcast Vysílač, 2022