Pavla NečáskováAbout + OverviewTypefaces InstagramArena(CZ) Grafická designérka a typografka, aktuálně také studentka magisterského programu v ateliéru Tvorby písma a typografie na UMPRUM Praha. Ve své tvorbě na volné noze se zaměřuje na detailní práci s typografií
v kontrastu se spontánností a experimentem v grafickém designu.
(EN) Graphic designer and typographer, at the moment also a student of the Masters programme at the Type Design and Typography studio at UMPRUM Prague. Her work as a freelancer focuses on detailed typographic work in contrast with spontaneity and experimentation in graphic design.
Prague, Czech Republic
necaskovapavla@gmail.com
To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, IG promo, 2025To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, A3 posters, 2025To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, IG promo, 2025To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, IG promo 2025, A4 exhibition guide, 2025To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, A6 invitation, 2025Cover of MY TASTES HAVE ORIGINATED (ROUGHLY) SEVEN HUNDRED YEARS AGO reader as a part of my final semestral project at KASK Graphic design, all my typefaces in use, 2025MY TASTES HAVE ORIGINATED (ROUGHLY) SEVEN HUNDRED YEARS AGO reader as a part of my final semestral project at KASK Graphic design, all my typefaces in use, 2025MY TASTES HAVE ORIGINATED (ROUGHLY) SEVEN HUNDRED YEARS AGO reader as a part of my final semestral project at KASK Graphic design, all my typefaces in use, 2025A5 booklets commenting on “invisible” rasters and color in offset printing. Rasterised microscopic stills, captured with a USB microscope, under 1000× magnification, arranged on an A2 print sheet, as a standard 16 page signature, digitally printed in CMYK, 2025Video as a company to A5 booklets commenting on “invisible” rasters and color in offset printing. Rasterised microscopic stills, captured with a USB microscope, under 1000× magnification, arranged on an A2 print sheet, as a standard 16 page signature, digitally printed in CMYK, 2025Cover of annotated collective reader To read it again, think about it, to read it aloud designed with the class of KASK Graphic design (Gent, Belgium), my section and spreds span within 16 pages and are designed, annotated texts by Hito Steyerl & Fernard Baudin, 2025Annotated collective reader To read it again, think about it, to read it aloud designed with the class of KASK Graphic design (Gent, Belgium), my section and spreds span within 16 pages and are designed, annotated texts by Hito Steyerl & Fernard Baudin, 2025Annotated collective reader To read it again, think about it, to read it aloud designed with the class of KASK Graphic design (Gent, Belgium), my section and spreds span within 16 pages and are designed, annotated texts by Hito Steyerl & Fernard Baudin, 2025Lettering and graphic design for small music festival ZMAR, organised by Martin Dedek, illustrations Lucie Lučanská, 2025Visual identity for a Czech young glass designer Hana Vopravilová, logotype, 2025Visual identity for a Czech young glass designer Hana Vopravilová, business cards, 2025Cover illustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan BrožIllustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan BrožIllustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan BrožIllustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan BrožIllustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan BrožArtwork for Ankali & Planeta Za club in Prague, 2024Artwork for Ankali & Planeta Za club in Prague, 2024Pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Exhibition of the pseudo-scientific catalogue and typefaces from Transformation of Type Design, Bachelor project, 2024Typeface detail from pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Typefaces overview from pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024Photo Zine Led (Ice). Collaboration with Barbora Žentelová for her diploma project, typeface in use: Týpa, Hólmfríður Benediktsdóttir, 2024Graphic design for exhibition Mystika vědění at Gallery AMU, collaboration Žofia Fodorová, A1, 2024Graphic design for exhibition Mystika vědění at Gallery AMU, collaboration Žofia Fodorová, A1, 2024Lettering for Post Hearing, Post Listeniny exhibition at Gallery AMU, 2024Lettering for Post Hearing, Post Listeniny exhibition at Gallery AMU, 2024Lettering elements for notography editions of a library of sheet music for the NAMU publishing house, silver digital print, 2024Notography editions design of a library of sheet music for the NAMU publishing house, silver digital print, 2024Notography editions design of a library of sheet music for the NAMU publishing house, silver digital print, 2024Campaign for MIKE ROFT Fest, 1st edition of music festival in Brno, collaboration Šimon Vlasák, 2024Campaign for MIKE ROFT Fest, 1st edition of music festival in Brno, collaboration Šimon Vlasák, 2024Visuals for Laurenz Brunner lecture at UMPRUM Prague, typeface Walbert in use,, B1 silkscreen print, 2024Visuals for Laurenz Brunner lecture at UMPRUM Prague, typeface Walbert in use, 2024Visuals for Laurenz Brunner lecture at UMPRUM Prague, typeface Walbert in use, 2024Visuals for Laurenz Brunner lecture at UMPRUM Prague, typeface Walbert in use, 2024Unvergesslich Type Specimem, designed by Žofia Fodorová & Šimon Vlasák, typeface Walbert in use, 2024Unvergesslich Type Specimem, designed by Žofia Fodorová & Šimon Vlasák, typeface Walbert in use, 2024Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023.Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023Campaign for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, 2023Brand design and logo for my small brand, typeface Input 2.0 in use, 2023Banner for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, 2023Booklet for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, A4 RISO printed, 2023Booklet for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, A4 RISO printed, 2023Booklet for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, A4 RISO printed, 2023Booklet for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, A4 RISO printed, 2023Booklet for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, A4 RISO printed, 2023Lettering sketch for exhibition Sběračství in Gallery AMU, in Prague, 2023Ex Libris illustation for Type Design and Typography studio, UMPRUM Prague. Two ferns fighting for Krásné Písmo book.
Ex Libris illustation stamp for Type Design and Typography studio, UMPRUM Prague. Two ferns fighting for Krásné Písmo book.Lettering for exhibition Drunken Forest (Opilý les) at Gallery AMU, 2023Lettering OakTree, typeface made within a seminar with studio Burrow at UdK Berlin, RISO, 2023Collaborative poster/cover for a type specimen with all the students works from experimental type seminar at Udk Berlin. A2 RISO print, @drucken3000 Berlin, 2023Collaborative poster/cover for a type specimen with all the students works from experimental type seminar at Udk Berlin. A2 RISO print, @drucken3000 Berlin, 2023Collaborative poster/cover for a type specimen with all the students works from experimental type seminar at Udk Berlin. A2 RISO print, @drucken3000 Berlin, 2023Collaborative poster/cover for a type specimen with all the students works from experimental type seminar at Udk Berlin. A2 RISO print, @drucken3000 Berlin, 2023Front side of poster in three languages, accompanying Leevi Toija exhibition and artistic project – Constructing spaces of memory, in use my typeface Input 1.0, collaboration with Julie Dítětová, A2 offset printed, 2023Front side of poster in three languages, accompanying Leevi Toija exhibition and artistic project – Constructing spaces of memory, in use my typeface Input 1.0, collaboration with Julie Dítětová, A2 offset printed, 2023Detail of poster in three languages, accompanying Leevi Toija exhibition and artistic project – Constructing spaces of memory, in use my typeface Input 1.0, collaboration with Julie Dítětová, A2 offset printed, 2023Front side of poster in three languages, accompanying Leevi Toija exhibition and artistic project – Constructing spaces of memory, in use my typeface Input 1.0, collaboration with Julie Dítětová, A2 offset printed, 2023Back side of poster in three languages, accompanying Leevi Toija exhibition and artistic project – Constructing spaces of memory, in use my typeface Input 1.0, collaboration with Julie Dítětová, A2 offset printed, 2023Poster for Warm Inflation exhibtion in Gallery AMU, Prague, within visual identity with Šimon Vlasák, Žofia Fodorová, 2023JASNA x Pavla Nečásková, lamps and beads collaboration with event and exhibition in Poco Bar, Vinohrady Prague, 2022JASNA x Pavla Nečásková, leaflets for event and exhibition in Poco Bar, Vinohrady Prague. RISO print, 2022JASNA x Pavla Nečásková, leaflets for event and exhibition in Poco Bar, Vinohrady Prague. RISO print, 2022Typeface 2.0 in use, PAR36 zine exhibited in PageFive, Prague, design Michal Veltruský, 2024Typeface 2.0 in use, PAR36 zine exhibited in PageFive, Prague, design Michal Veltruský, 2024Typeface Input 1.0 in use for book Drak a ryba (Dragon and fish), published by the National Gallery of Prague, author Marie Lukáčová, design Filip Kraus, Photo credits GHMP 2023Typeface Input 1.0 in use for book Drak a ryba (Dragon and fish), published by the National Gallery of Prague, author Marie Lukáčová, design Filip Kraus, Photo credits GHMP 2023
Input 1.0, Input 2.0 Type Specimen, A4, RISO print, 2023
Input 1.0, Input 2.0 Type Specimen, A4, RISO print, 2023
Input 1.0, Input 2.0 Type Specimen, A4, RISO print, 2023
Typeface Qarel in use, Baedekr catalogue for the Tabook book and publishing festival in Tábor, design Jan Čumlivski & Juraj Horváth, 2024Typeface Qarel in use, Baedekr catalogue for the Tabook book and publishing festival in Tábor, design Jan Čumlivski & Juraj Horváth, 2024Typeface Qarel in use, test sheets for offset printing, 2023Typeface Qarel in use, test sheets for offset printing, 2023Limit exhibition campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022Limit exhibition campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022Limit exhibition campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022Cover of Limit type specimen within the campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022Limit exhibition campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022Změny vnímání (Chenges of perception), experimental author’s book on synesthesia, color, seeing, feeling, silkscreen + digital offset print, 2022 Masterclass lecture events, online banner visuals, organized by TIM FF MUNI, initiated by Wlasta Laura, 2022Masterclass lecture events, online banner visuals, organized by TIM FF MUNI, initiated by Wlasta Laura, 2022Illustration for podcast Vysílač, 2022Illustration for podcast Vysílač, 2022